American Beauty

Given that Lester Burnham said in the opening shot of American Beauty was going to die, the ending was, in a way, already in poor condition. However, it is much more than the stock selling climax of the movie, images and music come together to form a truly beautiful and moving culmination of the various arcs of characters, without the need for an explicit dialogue or torrents of exposure .

The late Roger Ebert once said that this film:

All these emotional threads meet during a dark and stormy night, when a series of misunderstandings so strange they belong in a sitcom. And in the end, somehow, improbably, the film snatches victory from the jaws of defeat by Lester, his hero. Not the kind of victory would result in a feel-good movie, but the kind where you try something important, if only to himself.

This is perhaps the revealing feature of the image; "Beauty" American Beauty. The film is heavy in its final act, when the most part had been almost a cheerful and comic to the trials and tribulations of suburban America look. But the ease and mastery of such emotional significance is - not only a credit to the actors and director (Sam Mendes) - the mark of a script sharpness and a screenwriter really a sign of his office was given. Taking its dialogue and wonderful story out of the equation gives such statement, as history fully capable of telling the story through images alone.

Perhaps the first thing to focus first is the use of color and motif. Throughout the entire film, rose, American Beauty, was often a symbol of lust and desire to Lester and Angela. In his fantasies, the girl is wrapped in roses, covering her body, betraying the fact that these are, in fact, his passionate reflections rather than reality. When Lester however, kills the viewer can detect a bouquet of roses set on the counter beside his body. The image is striking; because the flower had been so associated with sexuality and infatuation seems a little odd to reappear in death.

What does this suggest? What does that mean? Well, it could be any of a number of things. Remember that this is not the first time the public sees these flowers are a recurring motif throughout fact. Showing them again here, in a non-sexual (and indeed, in real life) scenario you could say that symbolize the contributing factor why Lester had to be killed. It was his wish. His dissatisfaction with a worldly existence. His desire to ignore the responsibilities of a materialistic way of life, and the way they approached the job of weathering the storm there was a midlife crisis. These are the feelings and emotions of American Beauty it represents and its presence in this scene solidify the theory that these are the things that led to his untimely death Lester.

It's almost like Lester's lust for Angela lit the fuse throughout the downward spiral of events. If he had not obsessed with her, he had not started working out. If I had not started working out, Colonel Fitts would not have seen him working out naked. If Colonel Fitts had not seen him, I would not have thought that his son, Ricky, was sleeping with him. Then I would not have come out as gay and tried to kiss Lester; and if he had not, he would not have been driven to kill him. It was beauty killed the beast.

However, do not forget the meaning of the red color represents in the film - danger. Why is this so? It is because it is the color of blood? writer Jim Emerson draws attention to a quote from Jean-Luc Godard is no blood is red, "referring to his 1965 film Pierrot le fou. Maybe that's why the color works so well in that sense, it is a symbol of blood, and therefore, a subconscious indicator death and danger.

That certainly is the case of the closing sequence in American Beauty. Not only the color of the flowers, indicate the imminent demise of Lester Burnham, but yes, but hold in a number of other shots to create suspense and string along the audience subconsciously asked what character killed the protagonist. Every minor character in the aftermath of the death of Lester is using or near anything that is red. A more detailed analysis, you might even suggest that the amount of red shown in the United States each shot along strings as the identity of the murderer gradually revealed.

For example, Angela puts on red lipstick in the bathroom when the Ball. Ricky and Jane are lying on the bed sheets red. Carolyn wears a red dress - and holding a gun - which leads us to believe that he can be her. Finally, we see Colonel Fitts blood cake with the murder weapon. The color becomes more and more prominent as to the murderer inches, which could be read as growing advice as to the likelihood that these characters are the executioner (Angela at least, Colonel Fitts most).

Color and supports however, are not the only things that really progress the story and most importantly, the message. One has to think about camera angles, camera work and editing, and the ability to work together. When the gun is pressed Lester's head, the camera moves away from the gun and beyond the American beauties before the shot was fired. This will not only add to the ambiguity of the scene, but also sets the guesswork film that follows.

In a move similar camera, monitoring camera side as each character is shot here, passing by at that fleeting moment. Not only this chronicle of his reaction to the sound, which helps to clear his name of any wrongdoing. However, it also sets the flashback sequence. As the camera moves across the sky, moving through the cast of characters, their reactions and eventually moves to the identity of the murderer. This is where the issue really helps tell the viewer what is happening. Lester past scenes are spliced ​​with the current chain of events, indicated by a change in color palette to black and white. This gives an idea of ​​what it feels like Lester as his life flashes before his eyes. He is looking back on his best memories in his last moments.

However, this may say more? These minute windows in a past that have never seen or been part of so far. The only thing we have known throughout the film is the continuing dissatisfaction with the materialistic tendencies Lester of America nineties. This is what meant Ebert in his review of the film. As Lester dies, snatching the lives of those few things that make you the happiest - or most of the content. It was never about the sofa, or ass-kissing by him ( "everything is just matter," jokes earlier in the film), no, Lester it was redefining itself as something that matters, something visible but with a feeling so intangible. Like the plastic bag floating in the wind on the final shot, which refers to the only existing, were carried out in this thing called life - and he was there to enjoy the ride. Think of it as a club of the fight of the middle class.

Alan Ball and Sam Mendes had something really important to say with American Beauty - it's just amazing that they were able to do with nothing but such beautiful images.

Women in Ancient Egyptian Society

In the society of ancient Egypt, women were treated differently than women of other ancient societies manner. ancient Egyptian society gave women the greatest opportunities of Mediterranean societies in relation to their economic, legal and social positions. They enjoy the same legal, economic and social rights Egyptian men. Although the main source evidence is limited, it is still possible to use evidence found in temples, tombs monuments, works of art and surviving texts to establish the role of women in Egyptian society.

ECONOMIC RIGHTS OF EGYPTIAN WOMEN

Egyptian women enjoyed the same economic rights as men and therefore were able to take economic decisions on their own. A woman in ancient Egypt was able to own property in their own right and, if married, could own property jointly with her husband. The property acquired a woman on her own was hers to dispose of what he wanted, and that have been acquired during the marriage became "joint property". If the husband should have any joint property, which was legally obligated to reward his wife with the same value.The property owned a woman can own, manage and sell slaves included, livestock, land, property and servers. Women obtained this property by using property obtained employment through loans or as gifts from inheritances.

Like other ancient civilizations, there were a number of jobs available for Egyptian; However, these tasks he saw occupy various jobs according to their social class. Women in the lower classes not only worked inside the house, attending to household chores and child care, but also had to work out tending cattle and work in the field, especially during harvest. Occupations as skilled weavers, mourners, musicians, curators, composers, singers, dancers, brewers, bakers and were also available for women.There were professional positions available for women with studios such as priestesses, managers or supervisors. Educated and wealthy women in some cases became judges, supervisors, regulators, physicians, and even prime ministers because of their ability to read and write. If a woman performs the same work as a man, who received the same rations and goods as a man received for this work, and therefore their salaries made a valuable contribution to the wealth of the family.

LEGAL STATUS

The staff of women was also reflected in women being treated like men in the legal system. Women could act as plaintiffs, defendants and witnesses in court without having to go through a male representative as was usual for women in other societies practice. Women had the right to sue and may also enter into contracts including legal agreements regarding marriage, divorce, property and employment. A woman was also responsible and accountable for any transactions or agreements entered into your account. These economic and legal rights of equality were not limited to a social class and were available at all levels of Egyptian society.

A particular contract Egyptian women entered a contract was self-enslavement. Women entered into these contracts for different reasons, to pay a creditor or to ensure financial security and provisions, and sometimes a woman could include their children in the implementation of this provision. One of these contracts, in which a woman joins the temple Saknebtynis says, "I am your servant, along with my children and my children's children. I will not be free in your precinct forever and ever. You me it will protect; Are you going to keep safe, to guard me you I will prevent sound;. you will protect me from all demons, and pay them what 1¼ Kita copper until the end of 99 years. " An Egyptian woman was able to negotiate and satisfied with the terms of a contract of self-enslavement before entering into this agreement freely.

MARRIAGE

There is no evidence of marriage ceremonies, but contracts survive by which man and woman made a marriage agreement. While Egyptian women could gain some wealth, they entered CONTRACS marriage with her husband to make sure that the father of her children would provide for them and their children's future material. These treated only with economic concerns contracts and documented how the husband would be responsible for feed and clothe his wife and children and the right of children to inherit his fortune. Because this was documented as an annual responsibility of husbands, who were known as "annuity contracts" and entered into directly husband with his wife. If the marriage should end, she was entitled to her dowry and even a third of the community property accumulated during the marriage and any divorce settlement written in the marriage contract. These contracts protected economic and legal rights of women.

INHERITANCE

An Egyptian woman had the same rights as a man and this enabled him to inherit property on the same basis as a man. A woman could inherit property from her husband and family, and if her husband pre-deceased, who inherited a third of the commons. If her husband wanted more or even all of their wealth that could produce a "paper house" imyt-PR, which was a legal document for the donation of the property (Tyldesley, ND) they are inherited. A husband could also legally adopt his wife as a "child" if you do not want to give any of his property to his brothers, and so his wife could inherit all his wealth if there are no children or part of two thirds if there were children.

Because of their legal rights, an Egyptian woman could act on their own to do his will. You could also make a will and leave his property, which had been obtained independently of her husband, her children. A will written by a noblewoman Naunakte states, "I am a free woman of Egypt have raised eight children, and have provided them with everything right for your situation in life." (Bingham, 2007: 9). He could make a will leaving her husband's property to their children and relatives and, if he wanted, he could disinherit their children, but only of the goods brought to marriage and the third part of the joint property.

WOMEN'S ROLE IN EGYPTIAN SOCIETY

Societal expectations on women in ancient Egypt include his roles as wife and mother, his public conduct, and his clothes and appearance. While a woman was legally responsible for their own actions in ancient Egyptian society, which was often seen as dependent on her husband, who is expected to take good care of it as indicated in the literary text "instructions Vizier Ptahhotep "" when thrive and found his house and loves his wife with ardor, filled his belly, clothe her back; ointment relieves your body Gladden her heart all the time living; it is a fertile field for their Lord "(. Johnson, 2002). Egyptian society believes that a happy and contented family life should be the norm and that this could be achieved by a husband and a loving wife and caring for each other, in accordance with the principle of Maat, universal harmony.

The work of managing the house was the woman. She cared about children, prepared, clean food, and also engaged in the business of finding food for the family did not grow and barter of surplus food they had grown. In rich and middle-class households, officials did much of the work around the house, while women, especially the rich, women were light. As lovers of family, women of ancient Egypt, regardless of class, appeared to be also responsible for the happiness of the home, both in life and death. In a letter found in a tomb, a widower believes his misfortune was the result of his wife punish him from beyond the grave and he asks her to believe that he is innocent of any wrongdoing, "What bad thing have I done to thee that step should come to this evil ... "(Nardo). In Egyptian society importance of women as lady of the house, it was such that the Egyptians believed they could punish her husband in the afterlife for any offense he had hidden from her.

Egyptian women place a high value on personal appearance, grooming and hygiene. His condition is defined by their dress, with upper-class women who wear clothes, elaborate makeup and jewelry to distinguish themselves from the lower classes who dressed simply. elaborate headdresses, in particular, meant the social position of women. Education also distinguishes women with upper-class women the ability to read and write and middle class women and professional men not so much, while poor women are illiterate.

Through the inscriptions on the walls and monuments, wall paintings, tomb paintings, statues, sculptures, documents, and papyrus, Egyptians recorded how they treated women in ancient Egypt. Inscriptions and wall paintings depicting women and men attending banquets together and hunting and fishing together are evidence of them enjoying a social life together. Tombs decorated with paintings of women dead elaborately dressed in the latest fashion and containing perfumes, cosmetics, toiletries and other life were the expressions of affection of men for their wives. Egyptian women were free to go alone in public, either working in the fields, in the workshops of roots, or travel and were not confined to the house. In an inscription, Ramses III says, "I have activated the wife of Egypt to go their own way, their travel is spreading where he wanted, without anyone assaulting her on the way" (Picone, North Dakota)

EQUALITY

Egyptians believed in equality between men and women and, when the historian Herodotus visited ancient Egypt, was so surprised by this equality, which was so different from other ancient societies, who wrote of the Egyptians: "They have reversed the ordinary practices of humanity "(Fletcher, 2011). survivors accounts and contracts documented this equality between men and women indicate that Egyptian women received the same rations as men for performing the same job. Isis Papyrus showed humanity give gifts to give so much power and honor of women as men did. Other papyrus detail how a woman was able to acquire the independent wealth of her husband. An annuity contract that is in one of Ptolemy "file family" Siut details how a woman, when a couple divorced, received their fair share of the assets of the couple. These documents indicate how Egyptian men treated women as equals.

Egyptian women were not subordinate to men in marriage or divorce. Unlike other ancient societies, Egyptian women were free to choose men who were married and could also divorce their husbands. Marriage was very important to the Egyptians, love and affection between husband and wife was important, and for all kinds of Egyptians, marriage was the norm.

Artistic representations show men and women as equal happy. Sculptures and murals and statues paintings express all obvious affection between Egyptian men and women. documentaries and literary men instructed on how to treat their wives, giving them love and protection texts. Art and historical documents found in the graves shows how women have economic and men the same legal rights.

Temples, inscriptions, murals and statues depicting powerful female deities paintings indicate a society that values ​​men and women equally and that women were not subordinate to men in ancient Egypt. female goddesses such as Maat giving balance and end of all things, Hathor the mother goddess, the goddess of love and healing, and Isis that as Hathor, had protective powers, were some of the female deities honored alike with male deities. These female deities were as important as the male gods in everyday life as was the Egyptian goddess Bastet, one of the most popular of all Egyptian gods, who presided over the health and safety of women, childbirth and home. Men and women in ancient Egypt Bastet honored equally and this is significant to illustrate the high esteem in which they held women.